
157
Book · 2007
The Invention of Hugo Cabret
An orphan secretly maintains the clocks of a Paris railway station while trying to repair a mysterious automaton. A stolen notebook and an unexpected friendship lead him toward a forgotten chapter of cinema history.
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Not merely a literary experience, but equally a visual one. The momentum and pacing of the story are brought alive in a distinctive way through the illustrations. When the text introduces a boy living in a Paris railway station tasked with winding and setting all the clocks, the pictorial sequences unfold like an oversized flipbook, guiding the reader into the next thread of the narrative.
Mr. Rail on LovelyBooks At first I didn't know what to expect from the book, but once I started I simply couldn't put it down. The book is a blend of text, photographs, and drawings, and this combination makes it truly unique. After a section of text, several pages of illustrations follow, strongly reminiscent of an animated film. While flipping through the pages, I constantly felt like I was watching a movie. The story itself is thrilling.
halo123 on LovelyBooks A truly wonderful, FANTASTIC book! The kind of book where, seeing it, you think: WOW, how is this possible? In a way, it is a book meant not just to be read, but LIVED. The author invented a completely new style, a novel kind of graphic story where words and images weave together to build the plot. The moment you open it, you are instantly drawn in, and step right into the shoes of Hugo Cabret.
Ehrnaider on QLibri Selznick captivates the reader, and he does so not with words alone. Divided into two parts, images and text intertwine seamlessly through the narrative, drawing you into an illusion that holds you completely spellbound and pauses the rest of the world. Any hesitation I may have had at first was swept away within the first five pages. Overwhelming, astonishing, fantastic: no list of adjectives could do it justice!
pinco on QLibri I enjoyed it immensely. It is a very original read in both substance and form. It alternates text, drawings, and stills from vintage films, all in black and white so that it gives the impression of watching silent cinema. It is a surprising and mysterious story that should delight dreamers and film lovers alike. It is classified as youth literature, but I recommend it to everyone.
marie-loup raffestin on Quelibroleo
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