The Overstory

• It’s an astonishing performance. Without the steadily cumulative effect of a linear story, Powers has to conjure narrative momentum out of thin air, again and again. And mostly he succeeds. Partly because he’s incredibly good at describing trees, at turning the science into poetry. I found, while reading, that some of what was happening to his characters passed into my conscience, like alcohol into the bloodstream, and left a feeling behind of grief or guilt, even after I put it down.

• His monumental novel The Overstory accomplishes what few living writers from either camp, art or science, could attempt. Using the tools of story, he pulls readers heart-first into a perspective so much longer-lived and more subtly developed than the human purview that we gain glimpses of a vast, primordial sensibility, while watching our own kind get whittled down to size.

• This ambitious novel soars up through the canopy of American literature and remakes the landscape of environmental fiction. What makes The Overstory so fascinating is the way it talks to itself, responding to its own claims about the fate of the Earth with confirmation and contradiction. Individual stories constantly shift the novel’s setting and pace, changing registers, pushing into every cranny of these people’s lives.

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