Lone Star

• Lone Star is exceptionally tightly staged, fascinates with its multilayered complexity, and skillfully combines social commentary with intimate character drama. The filmmaker is a master of his craft; unfortunately, in Germany his works have remained largely overlooked.

• This is a make you think movie. It was entertaining. About the struggle among men for power but it was no Gladiator. Still, a couple of hours after it was over I realized that I wouldn't forget it. That's what I love about movies.

• Its narrative richness and themes remain as compelling and fascinating as ever, the actors are magnificent, the screenplay is the product of master craftsmanship, and the direction is superb, crafting a film at the crossroads of a western, a detective story, and a humanistic tapestry. A gem, a rarity, a masterpiece, a true one.

• Seamless one-cut pans linking the present to 40 years ago through tortillas on a table or the ceiling of a bar create a vivid immediacy, as if the sins committed by the parent generation still linger and exert their influence. The truth behind the case, unraveled across racial, border, and generational divides, is perhaps something better left unknown. Even so, there is a glimmer of hope for harmony and reconciliation, such as an elderly Mexican woman who reflects on her own youth and helps an undocumented couple, or a Black family hinting at generational healing through a grandchild.

• Renowned independent director John Sayles delivers a film that isn't melodrama but aims to make you think, with a truly well-chosen cast: particularly the performances of Cooper, who is always a guarantee, Kristofferson, who brings to life a truly anthological sheriff, and McConaughey, who despite few scenes conveys all the character's charisma. But among the actresses, a wonderful Peña stands out with a top-tier performance, not to mention the presence of Frances McDormand.

1 / 5